Ms. Schnittker, tall and precise, appeared first and offered a clear rendition of the solo.

— Gia Kourlas’s review of performances of a canary torsi’s NANCY at The Beat Festival in 2013.

I also found myself relishing the moments when these bodies communicated on their own terms. I recall... Kirsten Schnittker performing an unrelenting petite allegro in silence, sweating, breathing harder and harder. The set-up was intended by Portnoy as a commentary, but as she kept going, her dance exceeded its intended message...

— Abigail Levine’s reflections on American Realness 2018

American Realness Discourse

Séanced

http://americanrealness.com/portfolio-type/seanced/

Huffington Post

Musings From Inside Midtown Window: 13 Performances in 13 Days

https://www.huffingtonpost.com/danika-druttman/roger-smith-hotel-art_b_2909536.html

The New York Times

Where Choreography Can Be Thoroughly Intense or Wholly Nonexistent

https://www.nytimes.com/2013/09/16/arts/dance/yanira-castro-and-storyboard-p-at-beat-festival-in-brooklyn.html

The Dance Enthusiast

The Roger Smith Hotel Presents Dance /Season 2: RoofTop/GroundFloor

https://www.dance-enthusiast.com/features/day-in-the-life/view/The-Roger-Smith-Hotel-Presents-Dance-Season-2-RoofTopGroundFloor

http://www.dance-enthusiast.com/features/view/canary-torsi-court-garden